"I have no particular confidence in my ability to write and usually improve a lot of my lyrics after an editor has had a hand, are accustomed to doing and undergoing revisions." We just read
The last letters of Stieg Larsson, a booklet published by Marsilio gathering le e-mail che lo scrittore scambiò con la sua editor, poco prima di morire, riguardo alla fortunata trilogia Millennium .
Ci è sembrato che fosse affascinante, specie per chi è o vuol diventare scrittore, trovare fra queste pagine traccia delle revisioni, delle stesure e rielaborazioni, dei tagli che l'autore via via discusse con la casa editrice e in particolare con la sua editor, Eva Gedin, e (indirettamente) con la redattrice che si occupava del testo.
Forse non occorre nemmeno conoscere Uomini che odiano le donne , La ragazza che giocava con il fuoco e La regina dei castelli di carta read with interest this book: there you can get an idea of \u200b\u200bwhat forms, specifically, the relationship between the author and editor (of course we would have liked to know more: spy on other letters, eavesdrop on conversations around a table Work ...), it is even a little 'nell'intuire surprised how much work there was a revision between the first draft and what the author (who died before going to press) that could not be considered definitive. Strong cuts from the first of three volumes, the "invention" of new characters to support other, finished in a dead end, adjustment of the plots to ensure that the general scaffold held.
Forse non occorre nemmeno conoscere Uomini che odiano le donne , La ragazza che giocava con il fuoco e La regina dei castelli di carta read with interest this book: there you can get an idea of \u200b\u200bwhat forms, specifically, the relationship between the author and editor (of course we would have liked to know more: spy on other letters, eavesdrop on conversations around a table Work ...), it is even a little 'nell'intuire surprised how much work there was a revision between the first draft and what the author (who died before going to press) that could not be considered definitive. Strong cuts from the first of three volumes, the "invention" of new characters to support other, finished in a dead end, adjustment of the plots to ensure that the general scaffold held.
Il libro non si può per il momento trovare in commercio, ma viene dato in omaggio (fino a esaurimento scorte) a chi acquisti un volume della serie GialloSvezia di Marsilio.
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