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Writers and editors fool

Il proprio libro viene finalmente pubblicato, The publisher organizes promotional events such as presentations , readings, lectures and social occasions with drink and snacks. You begin to smell the smell of celebrity , the gilded life of a professional writer ... and behold, in ambush, the specter of bad shape, public humiliation, of ' embarrassing episode that could mark a life of their career.

Anyone intimidated by this prospect, reading The humiliations never end Robin Robertson (Bloomsbury Publishing, 2005) will find out how, in essence, any author, a newcomer said time and then be able to count at least one episode in its history to be ashamed of the very marrow, without which this has seriously undermined his professional reputation.

The author has assembled a strong set of fact objectively hilarious testimonials from many authors of Anglo-Saxon: the presentation totally deserted happened to Jonathan Coe (and many others), David Harsent that comes to your reading completely drunk and is forced to run to throw up, until Chuck Palahniuk that while signing copies of his book, with a packet of frozen shoulder to soothe the soreness, he realizes that a transgender named Margo-Monster impersonating Vicodin between people queuing for his autograph.

not to be missed, for the sake of self-esteem.

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A writer?

conversation with some colleagues we raised a question that has triggered complex responses and articulate: a good editor should also be a good writer ? Or better: to be a good editor is necessary or advisable to be at least as good an author?

we'd love to know the opinion of readers, that being on the opposite side of the metaphorical fence may have an interesting view of the matter. Large room for discussion, then, in the comments or, if preferred, on Facebook page.

At the moment most of my colleagues has spoken to no : in this, paradoxically, those who have to improve a written text needs to know how a text should be built rather than learn to build one. Subtle difference, but significant. This is because it is good that the editor, if not free, of course, a personal literary taste, his style has not , the typicality of the idiosyncrasies related to writing. It should be a non-artist, an author to negative, an alter ego of the writer. It should not be found, especially, holds to identify with the writer, to sense its difficulties and passions, to show solidarity with him or vice versa for developing an aversion, a judgmental attitude or a kind of competition. Best alliance symbiosis between two different but compatible species .